Lisa Wilkinson Salary: Lisa is estimated to earn $1.7 million per year, Carrie $1.5 million, and co-host Waleed Aly’s $900,000 compensation is unlikely to be lowered. Despite Channel 10’s emphatic denials, a TV insider told the publication that The Project holds the “unwanted status of commercial television’s worst-performing regular nightly premium programme.” “Over this time, the audience on the east coast has deserted in droves. From a high of 130,000 in 2011, Sydney’s nightly population has dropped to barely 96,000. It’s also bad in Melbourne. From a high of 180,000 in 2011, the population has dropped to 133,000 “According to the source.
Billi FitzSimons is Lisa Wilkinson’s daughter. She worked for Mamamia as a Senior News Writer. Billi FitzSimons is the Editor of The Daily Aus, a newspaper in Sydney, New South Wales, Australia. In 2015, she graduated from Queenwood School, and in 2019, she graduated from the University of Sydney with a Bachelor of Arts (Media and Communications), Government and International Relations, Digital Cultures.
After Nine was chastised in the media for paying Stefanovic more than Wilkinson, Marks went on the record to deny that she was a victim of gender pay discrepancy on day three of the highly public aftermath from the Channel Nine and Wilkinson breakup. Stefanovic was paid more, according to Marks, since he had greater duties inside the network, including a popular prime-time show, while Wilkinson had various commercial deals outside of Nine.
Despite the low ratings, Channel 10 has stuck to its plan to change the formula and have both men and women competing for Brooke’s affections. The decision to cast Brooke as the leading lady, according to Jarrod Villani, executive vice president of ViacomCBS ANZ, which owns the network, was made to guarantee that all Australians are represented on television. He told TV Tonight, “It really does represent all of Australia and puts beautiful diversity on our television.” “As an organisation, we are well aware that when you take steps ahead and believe in a particular cultural orientation, you open yourself up to criticism. And that’s fine with us.”
Wilkinson has given us far more than just a peep inside TV’s inner sanctum in recent days – it has been a full vivisection of commercial television’s internal workings, with charges of misogyny and boys clubs, unjust pay deals, vicious rivalry, and poisonous management. But it’s difficult to fathom how the typical punter – the moms and fathers who watch commercial TV breakfast shows and struggle to keep their jobs – can relate to a multimillionaire’s desire for a $2 million paycheck.